Most students living in the school campus go home during
the Diwali holidays. But it has become customary for the small group that
stays back to visit the house of Nazeeb Khan, a potter in village
Gilpatti near Bathinda, Punjab. The purpose is not just to buy earthen
diyas, but also to behold the process of making the age-old source of
light.
So a group of twelve students and three teachers set out
on a short expedition on foot on 11th November 2014, the day of Diwali. Early morning they walked for two kilometers to meet
Nazeeb, who received them warmly outside the village and escorted them
to his house. In the past it was inconceivable that a potter would be
free from work on a Diwali day. Nazeeb and his family members would
start making diyas several weeks before in those days. Still they could
not fulfill the demand of the customers.
Things are different now. Very
few people are interested in earthen diyas these days.
Nazeeb Khan giving shape to a diya.
Photo credit: arun jee
There was excitement among the students. They had come to
observe Nazeeb making diyas and also to try their hand at pottery. It
may appear simple, but a small diya has to go through various
complex processes-- selecting the appropriate clay for kneading, giving
shape on the running chak to baking-- before it reaches the hands of its
user. Nazeeb is adept at these skills. He did not go to a school to
acquire this art. It has come to him naturally by watching his elders.
The students enjoyed watching Nazeeb's fingers negotiating with clay
dough on the moving chak. They were awed by the way he was able to mould
the clay into the shape and size of his choice with a certain fluidity
in his movements. Some of them even tried their hand at this creative
process, but in vain. Little did they realise that what they were trying
to do in one attempt has taken years for Nazeeb to master.
Nazeeb's ancestors were potters who had come to Gilpatti
some 300 hundred years back in search of livelihood. Since then the
coming generations have been engaged in this profession. The difference
between then and now is that pottery was the only source of income for
his ancestors, but for Nazeeb and his generation it is just a part time
job.
Fifty years ago when the majority of people still used
earthen pots and utensils for their daily use, the potters were in great
demand. They had to work constantly to meet the requirements of the
community in the village. The times have changed now. The earthenware
have now been replaced by the metal ones in every household, those of
steel the most common. These pots (earthen) have just remained the works
of art which may fetch higher prices in some high end markets, if
recognized by the connoisseurs. But it is no longer a regular source of
income for them. Nazeeb and his community wait anxiously for the season
of Deepawali when he and his family would make use of their skill to
earn as much as possible.
In the remaining part of the year Nazeeb earns his
livelihood as a barber. His elder brother, Anwar, works as a conductor
in a bus. His uncle drives a horse cart.
The descendants of Nazeeb's great great grandfather have
expanded and have branched out. Most of these families live in close
proximity with one another in a kind of ghetto but pottery isn't a full
time profession for any. Just as they live on the northern end of the
village, their art and profession of pottery is also on the fringe.